Love dont cost a thing sound track movie#

Even if they do, the movie still has to register a big enough boxoffice to lead to significant soundtrack sales. вЂњDo people want to relive the emotional beat of the movie?вЂќ asks Spendlove. The key remains music that is both integral to the project and appeals to a passionate audience. вЂњRelative to what we can make in films, it can look like a drop in the bucket, but in terms of being in the record business, if you spend your money wisely, soundtracks can absolutely be a revenue source,вЂќ says Paul Broucek, New LineвЂ™s president of music.Дespite grossing less than $25 million so far domestically, the soundtrack for SonyвЂ™s вЂњAcross the UniverseвЂќ has sold more than 300,000 units in two different releases. вЂњHairspray,вЂќ which has grossed around $120 million domestically, is nearing the platinum mark for its soundtrack, and for a studio that runs its own record division - as New Line does - the sales can add up in a meaningful way. вЂњBut more and more people are going to movies, and kids love film and love music and even love film music.вЂќДЄnd when a movie connects with the masses, a soundtrack can still sell. вЂњThe soundtrack sales are dependent upon how the music industry solves their problems,вЂќ says Randy Spendlove, ParamountвЂ™s president of music. Movie soundtracks remain caught in the crosshairs of a precipitously declining record business. Good music in films is more important than ever, and labels are more excited than ever about getting their music used in films as a way for exposure.вЂќ вЂњIвЂ™m not pessimistic about putting out records. вЂњThe soundtrack business is such a weird story because you canвЂ™t put it in the same box that it used to be in, and people are trying to do that,вЂќ adds Lia Vollack, president of worldwide music for Sony and Columbia. вЂњEveryone is experimenting with every possible option,вЂќ says Kraft.

ItвЂ™s easy to see why Fox Music president Robert Kraft declares вЂњsoundtracks are now simply about tie-ins to primarily tween and kidsвЂ™ movies.вЂќДespite the slide in sales (and continuing drop in overall CD sales), studio executives remain committed to releasing most scores and soundtracks and are encouraged by new ways to reach fans through creative packaging, digital-only releases and smart dealmaking. However, itвЂ™s worth noting that that figure is a million less than the first вЂњHigh School MusicalвЂќ sold in its debut year. , with sales surpassing 2 million copies. Just as вЂњHigh School MusicalвЂќ topped sales of all soundtrack albums released in 2006, вЂњHigh School Musical 2вЂќ landed at No. The exception, of course, remains releases from DisneyвЂ™s wildly successful вЂњHigh School MusicalвЂќ and вЂњHannah MontanaвЂќ television franchises.